''"Aideen O'Kelly conforms more than many of her predecessors to the physical outline suggested by the author: blond, plump and bosomy. At the outset, the actress has an amiable, almost chipper quality as she goes through Winnie's ritual ablutions and her marital memories. But when she is called upon to laugh, the laughter is forced...()s in all of Beckett, the power is in the ambiguities, and Ms. O'Kelly is less ambiguous than she should be. She only begins to capture the eloquence of the play...()he is, however, engaging, and she is indisputably Irish. Before coming to America, Ms. O'Kelly was a member of the Abbey Theatre. Her director, Siobhan O'Casey, herself an actress and a designer, is the daughter of Sean O'Casey. In her production, which represents her directorial debut, one is aware of the Irish lilt of Beckett's language."''